![]() ![]() (3) In each novel the detention centre setting evokes Australia's history as a penal colony, as well as alluding to the imprisonment of refugees deemed to be "illegal" and directly referencing the coercive government control of Aboriginal lives. The Intervention is still in place and Wood's idea for the women's detention centre came out of her horror at reading about the prison in Hay, NSW, where as recently as the 1970s young girls deemed to be "in moral danger" were held. (1) As well, bringing together dispossessed people from different parts of country recalls Palm Island and other enforced Aboriginal "settlements." (2) These allusions to detention are not futuristic. The time of her novel is some 100 years in the future, when climate change has devastated the globe but the situation at the swamp settlement in far northern Australia recalls the notorious 2007 government Intervention in Northern Territory Aboriginal communities. In The Swan Book Wright uses the term "Army-controlled Aboriginal detention camp" to refer satirically to the enforced "community" of Aboriginal people "from far away places" who have been brought in trucks to live "the detention lifestyle" around a swamp ( Swan Book 115 52). There they are held indefinitely, in primitive conditions reminiscent of Australian detention centres, both on and off-shore, where refugees are held without trial, without any prospect of freedom, and staff openly abuse inmates. In Wood's novel, set in a time very much like the present, ten young women are drugged and taken to a remote location, apparently an abandoned sheep station, which is completely cut off from the outside world. First is their location in detention centres. The remainder of the essay is focussed on The Swan Book and the way Wright uses the forms of fable to write a story geared to catastrophic times of climate change, representing country as a living entity and inventing a new fable of the black swan and the swan woman.ĭifferent as they are, The Swan Book and The Natural Way of Things have some significant common elements. I go on to suggest some connections between the uses of fable made by these two novelists and some important feminist writers of the late twentieth century, most notably Angela Carter. Here I begin by comparing these two novels briefly, considering the different meanings and uses that "fable" might have for a novelist dealing with such issues of violence (colonial, patriarchal, ecological). In both novels the issues explored are so violent and threatening to life itself that fable rather than realist narrative becomes the best vehicle for staging them. For example, the exact wording of any error messages you may be receiving.Two recent award-winning Australian novels, both of a dystopian cast of mind, Alexis Wright's The Swan Book (2013) and Charlotte Wood's The Natural Way of Things (2015), employ fable to tell powerful contemporary stories. Delete them and your documents should open. You should now be able to see any hidden LibreOffice temporary files in the same folder as your documents. View Tab: select ‘Show hidden files, folders, and drives’. Bookwright unlock page spread windows#Open a Windows Explorer by holding down the windows key and pressing ‘e’ (WIN + E), or Start - All Programs - Accessories - Windows Explorer. Bookwright unlock page spread windows 7#To view hidden files: I assume you have moved TO Windows 7 from XP. Usually, they are removed when LibreOffice closes but if it closes unexpectedly, the temporary file may persist and prevent you from opening the document. For example, when you open ‘myfile.ods’, a temporary file named ‘.~lockmyfile.ods#’ will be created. It will be named similar to the document. When you open a document, a hidden temporary file is created in the same folder. I think your problem is caused by hidden temporary files locking your document ![]()
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